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Artikel Tagged ‘AAVF’

LEOsings #1 Barcelona – Interview Jim Daus Hjernoe, pt.2

by Florian Städtler, Vocal Blog editor-in-chief

Jim Hjernoe and Jens Johansen at AAVF 2011

Jim Hjernoe and Jens Johansen at AAVF 2011

Those who have watched the first part are anxiously waiting for part 2 of the interview I was able to do with Danish vocal music education specialist Jim Daus Hjernoe in Barcelona. In this part of the interview we are talking about the Aarhus Vocal Music Festival, Associate Professor Bobby Mc Ferrin, Vocal Line, choir sound, the “Intelligent Vocal Ensemble” and the new possibilities for professional singers to study at the Royal Conservatory in Aalborg and Aarhus. Let us know about your Aarhus experiences or send questions via the comment section.

Before you watch the video, I’ll let you know about the end of the clip: It’s a reminder to become an EVA member, as this opens up the opportunity to apply for travel and accommodation funding for the next LEOsings session in – guess where? – Aalborg, hosted by Jim and his students in May 2014. So hurry up, we still have some spots to fill. And with the brandnew EVA memberships, it is even more fun to be part of the European a cappella movement.

I’m Florian Städtler, a cappella agent, blogger and event planner. If you are into a cappella and choir music, you might want to follow me on  Twitter or check out Vocal Blog’s Facebook fanpage and group. If you want to buy cds, dvds, sheet music and other cool stuff, visit And if you want to contribute, feel free to send me your news, links, videos etc. via This is a multi-author blog.

Aarhus Vocal Festival 2013

by Jeff Meshel, originally posted as letter to Vocal Blog founder Florian Städtler (on the day of Florian’s birthday) on Jeff Meshel’s World on May 23rd 2013.


Dear Florian,

Morning Warmup

AAVF 2013 is chronologically over, but still pumping in my veins and breathing in my soul.

It was a wonderful, educationally enriching and communally loving experience. It would be impossible to give you an overview, but I’ll try to relate to you some of my personal experiences, in hopes that the subjective view will give some sort of representative impression of what went on.

It was all pretty well organized, user-friendly. My hotel was only a five-minute walk from the site, which was a big advantage. The biggest problem was not enough hours in the day—wanting to simultaneously attend all the workshops, watch the small group and large group competitions, hear the midday concerts in the foyer, grab some food, and schmooze!!


Level Eleven

Pre-FestivalSono and Naura were both new for me, young Danish groups of about 20 singers, both really high quality, interesting repertoire, flawless performance, charming appearance, setting the bar high for the rest of the festival.

Friday – The Mzansi Youth Choir and the Boxettes gave two very different examples of how far contemporary a cappella can go and still knock out the crowd. The Girls Choir of Mariagerfjord were ‘just’ another one of those perfect Danish choirs.

Saturday – Since first hearing them in Vasteros in 2008, I’ve become an impassioned devotee of Vocal Line, so it was of course a really great thrill to hear them again. The combination of Vocal Line, VoxNorth and Eivør wasn’t easy for me. It was a new aesthetic, speaking in a musical language I was less familiar with. It sounds fascinating to me, and I plan on exploring it in the future (in the present, actually—I’m listening to Eivør as I write!)

SundayWeBe3 was a totally new treat for me, improvisation at its purest, and you know I’m a purist ;-). The Real Group and Rajaton both gave short but absolutely first-rate sets, showed why they’re the acknowledged leaders of our cult. It’s the third time I’ve heard both, and maybe the best. Level Eleven had some high points, and promises more to come in the future.


Monday – The group that completely blew me away was Jesper Holm’s Touché, as I had never even heard them recorded, let alone live. I knew they were a 12-voice group singing Count Basie big band charts and complex Gene Puerling arrangements from Singers Unlimited. What I wasn’t prepared for was the total, absolute technical perfection Jesper has achieved with these guys. Brassier than Basie, subtler than the Singers Unlimited, and purer than Gene Puerling, their mastery of these genres was TOTAL. The delivery was crystal-clear, as pure as glacial water. Even the soloists sang with superhuman control. And I was particularly impressed by how steeped these kids are in the vocal jazz tradition. They really do know where they’re coming from. And I can only dream where they’re going. More about that below. Just to make you even sorrier you weren’t here, I’ve posted the entire set as soundcloud links on Jeff Meshel’s World.


Reach Out and Touch a Star

Jens, Jeff, Line, Jim

It’s a strange situation at these festivals – you listen to the artist at home, think about their music; read about the upcoming concert; buy a ticket, buy a plane ticket and reserve a hotel; travel, with all the anticipation and excitement and build-up; and then an hour after the show you’re drinking a beer with the artist, with him telling you how he felt about the show. We’re used to admiring our ‘idols’ from afar. The warmth and intimacy of a festival such as this is a big part of its utter charm.

I met a guy on the train who was coming from Belgium to hear Bruce Springsteen in Denmark. They say Bruce is a really nice guy, but you’re watching him with 20,000 strangers from 3 kilometers away, with 500 armed guards in between you and him. Here, an hour after the show, you share a beer with the artist and hug him and thank him for the fine show, and he tells you how excited he was… Who de boss now?


Line Groth Riis & Anders Hornshøj, “Just Sing It”

They started with the incomparable dynamo Line Groth Riis leading 800 people singing two ultra-cool arrangements, with really fine, overpowering results. Go beat that. And that’s just for starters.

The Single Singers had to prepare four songs, three of which were quite difficult, in two rehearsals with no clear conductor. No mean feat that! It seemed quite impossible at the beginning, but somehow it worked at the end. The really great thing that happened there for me was singing Vocal Line’s version of Peter Garbiel’s “Don’t Give Up” with Jens Johansen himself conducting! So, that was a thrill in and of itself, but the really inspiring aspect was singing the song, being part of the tapestry of that beautiful, divine arrangement. I had listened to the song many, many times, but there’s nothing like singing it from within. (Guess what is going to be Song of The Week on my blog tomorrow?)

Jim Daus Hjernøe workshop

I joined five other workshops, each one an education in and of itself.
The amazingly talented Roger Treece, the man behind Bobby McFerrin’s “VOCAbuLarieS” was really pushing the envelope of grasping how rhythm and pulse work. It was sometimes a stretch to follow him, but yet a lot of fun.
Everyone was raving about Jim Daus Hjernøe’s workshop in Sweden, and I finally caught up with him here. “Rhythm and Groove” was uplifting, mind-expanding. He made so much sense out of central elements I’d never been aware of previously. I told him that in my next incarnation I want to come study in Aarhus. He responded that they have a really good remote learning program. If only I had the courage! Me, studying with these giants?

Single Singers rehearsal

I attended Katarina Henryson and Anders Edenroth’s “All Ears” workshop. I’d heard them go over the same material before more than once. And you know what? It gets better each time. Eighty strangers walk into a room, mostly fairly talented amateur singers. Then Katarina and Anders start teaching you the Art of Listening. And at the end of two hours we did a group improvisation – with our eyes closed!!! – about seven minutes of beautiful, transcendent, magical music. Just mind-boggling. Just these two hours were worth the 12-hour trip.
And Jesper Holm’s Advanced Vocal Technique. The program said ‘Harmonic complexity, swing feeling, jazz phrasing, sound and blend.’ Yes, that’s what he did. But I was reminded of the Yeats’ poem: That girls at puberty may find/The first Adam in their thought,/Shut the door of the Pope’s chapel,/Keep those children out./There on that scaffolding reclines/Michael Angelo./With no more sound than the mice make/His hand moves to and fro./(Like a long-legged fly upon the stream/His mind moves upon silence.) The absolute precision of his approach showed again that ‘God is in the details’. It was a truly inspiring workshop experience. Jesper is my new role model for doing a job well. And I’m proud to count him as a new friend.


I met SO many people—friends from Vasteros 2008, friends from Stockholm 2012, more recent Facebook friends, and new friends from Aarhus – too many to mention. I made a list of about 25 people that I had memorable interactions with, but I’m not going to list them because I know there were another dozen that are escaping my fuzzy brain, and hopefully another dozen that I’ll get to know now by writing. I did notice that the hugs have gotten tighter over the years, that each subsequent meeting with these fine people deepens the connection from the cordial to the friendly to the beginning of real involvement.

As you know, I do a lot of talking and thinking and writing about music, and I was fortunate enough to have three serious, focused, professional conversations.

The first was with Peder Karlsson. I first met Peder at Vasteros in 2008. I had brought a group from Israel and had briefly corresponded with him via email. On the first day I was nervous, confused, excited. Peder walked by, and I asked him timidly where the Whatever Room was.
I was a novice, a nobody, an attendee from afar; he was The Star. He looked at my nametag, looked at me, let out a shout of “Jeff!” and gave me a bearhug. I knew something different was going on in this community. Then in 2012, our second meeting, we became a bit friendly.
So now in 2013 I told Peder that I wanted to Skype with him about the history of TRG. He said, “Now!” For an entire morning, Peder told me about the origins of The Real Group’s music. There was a bit of an argument: I was maintaining that TRG invented our contemporary a cappella, while Peder was (over-modestly, I think) asserting that TRG drew from a number of different existing sources. In any case, we both agreed that this is fascinating piece of AC folklore, and it will be my pleasure to work our discussion into a printed interview in the near future. Oh, and now I can comfortably say that I feel Peder is a friend.

This is just one example of many–too many (and too personal) to recount here.

By the way, the origin of TRG’s music issue has riveted me for a long time and spilled over into several other conversations I had. Bill Hare had a lot of first-hand knowledge to share, and Jonathan Minkoff was gleefully maintaining that just about everything I think is diametrically opposed to the truth. Fortunately Judy Fontana was there to keep us from trans-Atlantic blows, suggesting the theory that vocal percussion was developed simultaneously on either side of the ocean. I’m gonna be thinking about that, Judy!

The second conversation was with Roger Treece, whom I’d asked in advance to meet with. I was aware of his work on “VOCAbuLarieS”, and really wanted to hear how Vocal Line was connected to that project. I also wanted to learn more about where Roger is applying his very prodigious talents these days. We had a great, honest, intimate talk which I hope to write up in one form or another (assuming that the glass of water I spilled on the table didn’t erase the file on my recorder). I sincerely hope Roger finds the perfect venue in which to work in the future, because I think his talent is unlimited and he can be a formative voice in a cappella in the next generation.

The third conversation was with Jesper Holm. I’d met Jesper very briefly in 2012, barely long enough to discover that we have a lot of overlapping interests and that I possess an obscure Singers Unlimited CD that he covets. I gladly brought it to Aarhus as an offering, looking forward to getting to know him a bit. We talked for less than an hour, but reached incredibly interesting places. We discussed the very substance of vocality, where group vocal jazz is today, and where it might go in the future. We also raised some ideas about utterly new vistas to explore, and concrete plans about how to do that. We were talking about inventing a new musical language. My blood is still pounding over that conversation. I hope that when the clouds clear, the substance remains and that Jesper sets out on that very profound journey.

What I’ve Taken Home

Oh, just so many ideas. And techniques for making better music. And exposure to new types of music. And hopes and plans for the future. And friendships. Membership in a most special community. And a whole lotta love.

I was at the original Woodstock festival. Given the choice of going back there or going to the next AAVF—no competition, man. Hands down, it’s Aarhus. Something is very sweet in the state of Denmark.

Really, I have only one serious complaint about the festival. You weren’t there, Florian. You and my old buddies Kongero and my new buddies The Swingles and my future buddies The Idea of North.

So I guess we’ll just have to make plans to meet again in Aarhus in 2015.

Till then,


Please feel free to visit Song of The Week, where you’ll find lots of postings on a cappella and other musical genres.

A Happy Birthday Gallery for Tine Fris

by Florian Städtler, Vocal Blog founder & chief listener

I’ve worked with quite a few achievers, movers, shakers, creative and energetic people. However, some people surprise you again and again with their dedication and willpower. One of these people is Danish singer, composer, arranger, vocal coach and organizer Tine Fris of Aarhus-based electronic vocal group Postyr Project.

As a mini-tribute to her birthday, here’s a spontaneously compiled gallery with a few snapshots from Aarhus, Freiburg and London. Happy birthday, Tine!

Hosting aca-celebrities Céline Morel (CEPRAVOI, FRA) and Peder Karlsson (The Real Academy, SWE) at Aarhus Vocal Festival 2011









Meeting Jens Johansen (Vocal Line, DK), the maestro of contemporary, rhythmic choral music right after Postyr's AAVF show









As a passionate teacher and vocal coach at the old school house during AAVF 2011









Back at Ridehuset for the AAVF 2011 final party, having a chat with Clare Wheeler (The Swingle Singers, UK) and Peter Martin Jacob (magenta concerts, GER)









And the winner of the London A Cappella 2012 shoe fashion competition is: From Denmark!









More aca-fashion presented by Tine at King’s Place, London, January 2012

What have I done to deserve this...? (says a happy German agent & blogger). With Line Groth (Postyr Project, DEN)









The core of Tine's musical life: Postyr Project.








Herzlichen Glückwunsch! Bonne anniversaire! Happy Birthday!

If you want to become (or already are) a Tine Fris fan, too, check her out on Facebook, Twitter and through the Postyr Project website.



My 10 Favourite Aarhus Moments

10. Mai 2011 11 Kommentare

by Florian Städtler

On a train to Copenhagen Airport I simply wanted to keep some of the exceptional things that happened to me during my three-days stay at the Aarhus Vocal Festival by writing them down. Those who are member of the Vocal Blog group on Facebook or follow me on Twitter already got a slight impression, but here’s a bit more: “My 10 Favourite Aarhus Moments”.

1) Train Ride through Denmark
My trip to Aarhus went as follows: Shuttle bus from my hometown Freiburg (South-West of Germany) to EuroAirport Basel-Freiburg-Mulhouse in 45 minutes, departure 4:30am. Scheduled take-off 6:30am – due to technical problems at our destination Berlin-Tegel Airport, we actually took off at 7:30am. 4 hours changeover in Berlin, with probably the worst WiFi quality ever experienced on a European airport. The Berlin-Copenhagen flight was only slightly delayed so I made it to the 3.5 hours train ride from Copenhagen to Aarhus. And I realized again, that train rides are a nice way to get an impression of a country: You get in touch with people, hear them talking and you see much more of the landscape while you travel. Denmark and its people made a friendly and relaxed impression, just as sunny as the weather on the way.

2) Ridehuset
After having checked in I asked for the way to Ridehuset. The receptionist didn’t understand until I showed him the venue’s name in the printed booklet: “Aaah, Rdddhes(e)”, she replied in a peculiarly nasal tone but with an extraordinarily charming smile…and an extraordinarily pretty nose. I smiled back and never even tried to pronounce it again. What to the unflexible German sounded like a major logopedic incident turned out to be a most amazing room to meet and perform. The Ridehuset was a former hall for horseriding and its nice architecture was the perfect place to get together, to listen to concerts, eat, drink and relax. What makes it even better, is the fact that it is situated very close to the workshop locations, a very important fact for the vibes of any festival.

Jake Moulton, Jonathan Minkoff, Peder Karlsson, Jussi Chydenius

3) The World at One Table
Imagine a football fan sitting at one table with Lionel Messi, Cristiano Ronaldo, Rio Ferdinand, Bastian Schweinsteiger and Ronaldinho. After the opening concert I found myself in a similar situation. I joined a table with Clare Wheeler (The Swingle Singers), Peder Karlsson (The Real Academy), Jussi Chydenius (Rajaton), Jonathan Minkoff (, Blue Jupiter), Judy Fontana, Tobias Hug (The Swingle Singers), Christine Liu (Vocalasia), Tine Fris (Postyr), Bill Hare (CASA director and recording legend) and Jake Moulton (The Housejacks). One big difference compared to the kickers: all of them are not only great masters of their trade, but intelligent, thoughtful and really cool people.

4) A Triple P from the North

Postyr live!

Papaya, Pust and Postyr – the line-up of Friday night’s opening concert seemed to be selected by some alphabetical logic. The first letter is however their only similarity. Maybe except the fact that this first night perfectly represented the fantastic level that Northern European groups have reached today. Papaya (DK) brought the sound and the motion of African music to Ridehuset, Pust (NOR) presented their unique kind of contemporary folk-based vocal music and Postyr, also from Denmark, launched their new album, new website and new music video. Four of the five singers in the group also being members of AAVF host choir Vocal Line, they presented an amazing fusion of popular songwriting, experimental electronics and no fear of including a cello or an acoustic guitar if they think it fits. Tine, Line, Andreas, Kristoffer and Anders were just following their concept of “singing outside the box.” It became clear again: Future innovation in vocal music will certainly be driven by groups from the Northern European countries.

4) Meeting Jens Johansen

Jens Johansen (Vocal Line), Tine Fris (Postyr, Vocal Line)

Jens is the “spiritus rector” of what we today experience as the Danish school of “rhythmic choir music”. For more than two decades he has worked with students and his choir Vocal Line. Today, groups like The New Voxnorth, Vox 11, Papaya and Postyr represent the second generation of Danish contemporary vocal brilliance. And while these groups shine with flawless blending and a rhythmic precision unheard of in Europe, Jens has remained as calm, moderate and friendly as when I first met him 15 years ago. His personal achievements in vocal music and in setting up the Aarhus Vocal Festival again cannot be praised often enough.

Céline Morel & Peder Karlsson

5) France exists!
The French don’t use the term a cappella. And despite being one of the biggest countries of the European Union, France has no more than half a dozen contemporary vocal groups. It was a pleasure talking to Céline Morel (CEPRAVOI) and Thierry Lalo (Les Voice Messengers) and learning more about their will to develop new ways of vocal and choral music in France. It would be so great to find people like them in each and every European country and have them exchange ideas on a regular basis.

6) His Bobbyness’ Masterclass

Tobias Hug (The Swingle Singers), His Bobbyness

Rarely have I seen 500 people in one room being so focused, so involved, so intently listening. Bobby McFerrin, giving a masterclass to Jim Daus Hjernoe‘s group “The New Vox North”, is personalized inspiration. He knows how to tell a story and he knows how to create music that is never pretentious but always fascinating. He is funny and serious, very direct but never patronizing. And he stayed with us longer than one would have expected, watching workshops and competitions. Bobby McFerrin is the single most influential person in contemporary vocal music. Or – as Peder Karlsson put it: “For me there was life before and life after Bobby.”

7) Learning from a Real Role Model

The jazz choir competition jury: Malene Rigtrup, Tobias Hug, Peder Karlsson

Speaking of luminaries, who would not think of Peder Karlsson? 26 years as baritone with The Real Group and endless experience both in singing and being a teacher give him natural authority. He is a master of combining the challenge of thinking out of the box with pragmatic action. For me, the work with him on a European framework for vocal, a cappella and choral music has been a highly intensive learning process how this art form has evolved from the first pioneer groups to the vocal music movement we see today.

8) 40 Minutes with the Best Rhythmic Choir of the World

Vocal Line with Bobby McFerrin live!

Superlatives are to be treated with care. Not in this case: Vocal Line, the Danish choir conducted by Jens Johansen has reached a level of artistry that is simply outstanding. I must admit, I’m not the one who is getting easily overwhelmed by a concert experience. But the first set of the festival’s main concert (just Vocal Line, without Bobby yet)  moved me to tears. You must see and hear this group of singers. If you don’t have a heart of stone, you will realize that this is what vocal music and music in general is all about. Spiritual moments in Aarhus. Enough said.

9) The European Voices Association (EVA) kickoff meeting

We were there!

For about 18 months seven vocal music activists have worked on a common vision for an organisational structure for European vocal, a cappella and choral music. And on the last day of AAVF the “core team” presented a first rough idea of how this network could be developed. Despite the inhuman timing of the meeting (9am – on the morning after the final festival party) more than 50 participants learnt how the idea came about (Florian Städtler), what European diversity means for us (Tobias Hug), what the higher purpose of EVA could be (Peder Karlsson), what the three content “bubbles” information, networking and education could look like (Volker Bauer), why it is important for all vocal music activists to be part of the team (Tilo Beckmann) and what the next steps towards EVA will be. By the way, the meeting itself started with a collective song directed by AAVF host Jim Daus Hjernoe, also a member of the preliminary team. One more happy moment and hopefully a milestone in the development of European A Cappella.

10) The Vocal Jog #1

7:30am, Hotel Ritz, Aarhus: Feeling lonely...

Being a passionate runner I try to have my running gear with me whenever I’m on the road. There’s no better way to both get an impression of the city you are staying and getting over the side effects of an after show party. Sunday morning, May 8th, was supposed to be the day of the first “Vocal Jog”: A little run around the beautiful city of Aarhus. Friday night, it really seemed as if I had summoned a true dream team featuring Tine Fris, Line Groth (both with Postyr) and my sandbox friend Tobias Hug, who loved the idea of doing the Vocal Jog just before the Morning Singing with Bobby McFerrin. Well, and this was the only very small disappointment at AAFV 2011: Vocal Jog #1, starting at 7:30 on Sunday morning took place – but no one came…excexpt me. Well, even without Line, Tine & Tobi it was wonderful jogging down to the sea, through the forest and on the streets of Aarhus. And they promised to be there next time. You are my witness.

Have you been in Aarhus and want to tell the Vocal Blog readers your favourite moment? Post your comment/story/experience here on the blog, the top 3 stories have the chance to win an AAVF artist’s cd of their choice.

If you’re not a member of the Vocal Blog Facebook group, why not join it now. And if you can’t get enough of news, links and pics from the vocal music world, follow us via

The European Voices Manifesto

6. April 2011 2 Kommentare

by Peder Karlsson (The Real Academy), Tobias Hug (The Swingle Singers), Jim Daus Hjernoe (The New Vox North), Volker Bauer (A Cappella Online), Peter Martin Jacob (magenta concerts), Tilo Beckmann (leading voices) and Florian Städtler (Vocal Blog)

The EVA core team, Ludwigshafen/GER 2010

These are exciting times for contemporary vocal music in Europe. The pioneers and legends of the vocal and a cappella scene are passing on the baton to an ever-growing number of amateur and pro vocal groups, festivals, schools. Slowly but surely vocal music is becoming more audible and visible in mainstream media. Global companies are using singers, beatboxers and vocal groups for their marketing, e.g. T-Mobile (“Welcome Back” London Vocal Flash Mob).

With all these things happening, a core group of a cappella activists started to work on a European vision of contemporary vocal, a cappella and choral music. Exactly one year ago we started a journey and today we want to make you, people who proved that they get things done musically and business-wise, passengers on this journey.

After one year of preparation, discussion and mutual inspiration, Peder Karlsson (The Real Academy), Tobias Hug (The Swingle Singers), Jim Daus Hjernøe (Aalborg Conservatory, The New Vox North), Peter Martin Jacob (magenta concerts), Tilo Beckmann (leading voices), Volker Bauer (A Cappella Online) and Florian Städtler (Vocal Blog) are excited to present you with a new organisation working for all people dedicated to our art form, vocal music: The European Voices Association (EVA)

As a very first step, we wrote the European Voices Manifesto, which lays down the principles that EVA stands for.

We are now asking all those of you who are responsible for the incredible development of European vocal music to sign the Manifesto to show your support.  If you haven’t done so yet, send a digital scan of your signature to

If that’s a technical problem, just send your signature on a piece of paper to the EVA contact adress. More information about the plans for the European Voices Association, the Manifesto and the EVA core team members can be found at, our first humble online proof of existence. And here are the names of those who already joined the movement and showed their support for the Manifesto (in alphabetical order:)

Lucy Bailey (The Swingle Singers/UK), Daniel Barke (Tonalrausch/GER), Volker Bauer (A Cappella Online/GER), Marco A. Billep/GER), Sara Brimer (The Swingle Singers/UK), Fausto Caravati (Solevoci/ITA), Emily Dickens (VOCES8/UK), Jean Digby (Singacappella/UK), Deniz Dönmez (SpielPlanVier/GER), Anders Edenroth (The Real Group/SWE), Joanna Eteson-Goldsmith (The Swingle Singers/UK), Jürgen Faßbender (GER), Fabian Fehrenbach (SpielPlanVier/GER), Kevin Fox (The Swingle Singers/UK), Christopher Gabbitas (The King’s Singers/UK), Alexandra Godfree (Voice Festival/UK), Colin T. Graham (UK), Havard Gravdal (Pust/NOR), Oliver Griffiths (The Swingle Singers/UK), Line Groth Riis (Postyr/DK), Andrea Haines (VOCES8/UK), Lydia Haschke (medlz/GER), Maria Heinig (medlz/GER), Jim Daus Hjernoe (The New Vox North/DK), Jesper Holm (Touché/DK), Jonathan Howard (The King’s Singers/UK), Tobias Hug (The Swingle Singers/UK), David Hurley (The King’s Singers/UK), Sandra Hylla (mad4music/GER), Christopher Jay (The Swingle Singers/UK), Peder Karlsson (The Real Academy/SWE), Sabine Kaufmann (medlz/GER), Morten Kjaer (DK), John Kjoller (Basix/DK), Andrea Kühn (SpielPlanVier/GER), Thierry Lalo (The Voice Messengers/FRA), Philip Lawson (The King’s Singers/UK), Claire Long (Music Prod./UK), Charles Alexander MacDougall (VOCES8/UK), Michele Manzotti (ITA), Silvana Mehnert (medlz/GER), Miklos “Mickey” Nemeth (Fool Moon/HUN), Lars Orhoj (DK), Nelly Palmowske (medlz/GER), Staffan Paulson (Vocal Six), Costa Peristianis (Ikon Arts/UK), Ane Carmen Roggen (Pitsj/NOR), Nina Ruckhaber (Jazzchor Freiburg/GER), Romy Schmidt (Spectaculum Mundi/GER), Till Schumann (Unduzo/GER), Kristian Skarhoj (Songs of the Moment/DK), Joakim Skog (SWE), Barney Smith (VOCES8/UK), Paul Smith (VOCES8/UK), Robert Robbie Smith (VOCES8/UK), Florian Städtler (SpielPlanVier, Vocal Blog/GER), Indra Tedjasukmana (Sonic Suite/GER), Kristoffer Fynbo Thorning (Postyr/DK), Idun Thorvaldsen (NOR), Elin Valvatne (Apes & Babes/NOR), Marty van der Staak (NED), Saso Vrabic (Perpetuum Jazzile/SLO), Chris Wardle (VOCES8/UK), Cleveland Watkiss (UK), Timothy Wayne-Wright (The King’s Singers/UK), Sebastian Weingarten (Renitenztheater/GER), Clare Wheeler (The Swingle Singers/UK), Eric Whitacre (UK), Holger Wittgen (Kultursommer Rheinland-Pfalz/GER), Dingle Yandell (VOCES8/UK).

Isn’t that amazing!?!

See you in Aarhus!! From left to right: Peter, Jim, Peder, Tobi, Volker, Tilo, Florian

We would love if you added your signature to the Manifesto and want ot meet as many of you as possible at the EVA kick-off meeting. This meeting will mark the foundation of The European Voices Association and will give the opportunity to meet the complete core team and many more movers and shakers of European vocal music. It will take place on the final day of Aarhus Vocal Festival, May 9th 2011, 9:00 am at Aarhus, Musikhuset (Kammermusiksalen). The festival, featuring concerts with Bobby McFerrin, Vocal Line, Pust, Basix, Postyr as well as a fantastic workshop and coaching programme, will go ahead from the 6th to the 9th of May – exactly four weeks from today!

Thank you very much for supporting EVA and for marking Aarhus in your calendars. If you have questions concerning the Manifesto, the kick-off meeting or EVA in general,  feel free to get in touch with Florian Städtler (staedtler@spielplanvier; +49 761 38 94 74) anytime.

Looking forward to getting your feedback and your signatures and meeting all of you in person in Denmark!

Best wishes

Peder, Jim, Volker, Tobi, Peter, Tilo & Florian

Want to contribute to the development of European vocal, a cappella and choral music? Why not write a blog post on your activities, ideas and visions here at Vocal Blog? Or just post your comments and tell the acaworld what you want EVA to achieve for the community!