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Artikel Tagged ‘VAF 2015’

Vocal Asia Festival 2015 – Impressions of Day 5

21. September 2015 1 Kommentar

by Juliana Baron, Vocal Blog Asia, September 2015

Every moment is just so special – Juliana’s first-hand impressions of the Vocal Asia Festival 2015

Sad, but true – the last day of Vocal Asia Festival (VAF) 2015 in Shanghai has come:

Day 5: Caught in the moment

Sun (Aug 9), the last day of the Vocal Asia Festival, started with one of my favorite workshop topics: „Imprecision in an Age of Musical Perfection“.

DeltaCappella’s workshop „Imprecision“

DeltaCappella’s workshop „Imprecision“

DeltaCappella inspired and motivated people in their workshop to try out new ways of learning and arranging a song without strictly sticking to the notation. Unfortunately, we found no time during the festival to have an interview. I hope, I will get the chance some day soon, to have a deeper discussion with DeltaCappella on this interesting approach.

In the afternoon, I attended the Jazz vocal percussion class of Kaichiro Kitamura, an amazing Jazz vocal percussionist and founder of the Japan A Cappella Society.

After his workshop, I got a chance to talk to Kai about the status and development of A Cappella in Japan.

Interview with Kaichiro Kitamura from Japan

Kaichiro Kitamura, Juliana Baron, Ray Chu

Kaichiro Kitamura, Juliana Baron, Ray Chu

Juliana: Kaichiro-san, you are such an international person, fluent in English, Chinese, Korean – and of course Japanese. Is it ok, to call you Kai?

Kai: Yes, well, you are half Korean, you can also call me Kai Obba (elder brother).

Juliana: (laugh) This year, Vocal Asia in Japan was kicked off. How would you describe the status of A Cappella in Japan?

Kai: Actually, we are deeply impressed by Take 6, Singers unlimited, Doo-wap and so on. Those, who listen to their music, they form up their college a cappella groups. The first a cappella club was established in Waseda University in Tokyo, which I graduated from, and that was more than 30 years ago. This was the first college a cappella club in Japan. Then, 10 years later, new a cappella clubs occurred in many colleges and many places and not only the students’ associations, but also the vocal festival associations for the public. So now, spreading out nationwide from Hokkaido to Kyushu area. There are pretty many a cappella festivals right now in Japan.

Juliana: How come that there are not so many Japanese a cappella groups going outside of Japan?

Kai: Well, one of the reasons is, they don’t know about the international festivals abroad, actually. And the second reason is, they are interested to join in international festivals, but it is tough for them to speak English. They need to understand everything in English, need to express themselves, need to understand the classes, the instructors – that’s tough for them. There is a language barrier.

Juliana: Are there any professional groups in Japan who can make their living from a cappella?

Kai: Yes, more than 10 professional groups are in Japan. Most of the teams are living in Osaka or Kobe area and about 3-5 groups are now active in Tokyo.

Juliana: What was your highlights and lowlights throughout your musical journey with vocal percussion and a cappella?

Kai: It is hard to tell, because I experienced so many highlights. One of the big highlights is the Vocal Asia Festival. Every year I was invited as an instructor. And every year coincidently, I was invited as a guest performer at the gala concert to accompany the master group of the festival. For example with The Real Group in 2011, in 2012 with Slixs, then Rajaton, The Idea of North. That gave me the big chance to perform in the world. And this year, tonight, I will also join Naturally 7 on stage. We just finished the rehearsal, it was OK (laugh). Oh, and with The Real Group, when they came to Tokyo, I just hopped into their show and the whole performance was recorded. The CD is now on sale, the title is “Live in Japan – The Real Group”

Juliana: Any lowlights?

Kai: Actually, I’ve never experienced bad things. Always the music cheers me up and people motivated me. So, every time I feel happy.

Juliana: What is your wish for Asia’s A Cappella future?

Kai: Especially for our country, we have lot’s of difficulties to host an international festival. But I want to make a change. If we promote a cappella festivals like those from Vocal Asia to Japanese concerts, to the Japanese people, Japanese singers – maybe that attracts them, I believe they will participate. All I can do is being an ambassador, tell people what is good, what is happening in other Asian countries. I will be in charge of promoting. I’ll do my best.

Juliana: Thank you so much, Kai Obba! I wish you all the best for your a cappella promotion!


VAF Gala Concert - The Wanted

VAF Gala Concert – The Wanted

The final highlight of the 2015 Vocal Asia Festival was the gala concert. Asia Cup winners „The Wanted“ opened the show. Although just coming out of High School, they were absolutely stunning and almost professional.

VAF Gala Concert - DeltaCappella

VAF Gala Concert – DeltaCappella

Special guest DeltaCappella brought a different sound experience and a diverse program of jazz, swing, rock and pop songs – the audience loved it. The workshop participants of the morning session were invited to sing along the chorus of Good Livin’: „We’re gonna harmonize and we’re gonna shout…“

VAF Gala Concert - Naturally 7 giving everything.

VAF Gala Concert – Naturally 7 giving it one’s all.

VAF Gala Concert - Naturally 7

VAF Gala Concert – Naturally 7






Mindblowing the show of the VAF’s master group Naturally 7. Next to me, there was a Chinese lady almost going nuts, almost jumping out of her seat. It seemed to be her first time in an a cappella concert and she couldn’t stop saying how good they are.

Kaichiro Kitamura’s duet with Naturally 7 bass Kelz was for sure another highlight on this show.

Fabulous gig of Kaichiro Kitamura with Naturally 7 bass Kelz at the VAF Gala Concert.

But my favorite of this evening was the encore song „Caught in the moment“. Somehow like a motto which accompanied me throughout the whole festival. Each and every moment was just so special.


Naturally 7: „Caught in the moment“ (which is much more intimate and touching listening to it live)

Although this was a lot to read and thanks for your interest – there was much more happening throughout the VAF 2015. Sorry that I couldn’t join and share impressions of several other interesting workshops by Ray Chu, Christine Liu, Kwok-Tung Fung, Leo Tsai and Kaichiro Kitamura. If you joined any of their workshops or want to share some of your experiences, please feel free to comment and share.

Hope to see you at the next festival whenever, wherever on this earth! Cheers!

VAF 2015 - the participants

VAF 2015 – the participants

Vocal Asia Festival 2015 – Impressions of Day 4

19. September 2015 Keine Kommentare

by Juliana Baron, Vocal Blog Asia, September 2015

Every moment is just so special – Juliana’s first-hand impressions of the Vocal Asia Festival 2015

And here comes part 4 of my VAF 2015 diary:

Day 4: an impressive experience to sing and entertain people on four levels of a shopping mall

Sat (Aug 8), after the warm up session with Leo Tsai, everyone had another chance to sing with Naturally 7: „Meet and sing with N7“. Needless to say, we all had a blast. Check out the snapshot video of „Rivers of Babylon“.

Workshop  „Meet and sing with N7“

This afternoon, there was not so much time to join the workshops and group coaching sessions as a lot of the participating groups were performing at the ACA Day Concert in Shanghai’s MetroCity, a huge shopping mall with four levels’ view onto the stage in B1. With my local group A-CAism, I had the honor to open the ACA Day event. It was astonishing how fast all levels filled with an interested and curious audience who would stay and grow even more during the 3 hours concert. It was an impressive experience to sing and entertain people on four levels around us and above our heads. The audience coming late were struggling to catch a good view. Some were taking the escalator up and down several times to enjoy a better sight.

Exit from Korea at their performance in MetroCity, Shanghai.

Exit from Korea at their performance in MetroCity, Shanghai.

The atmosphere in the shopping mall was excellent. Despite or because most of them wouldn’t know a cappella, the audience was stunned of the musical diversity and the power of pure voices. Regardless of which city or country the groups performing came from, regardless of which music style they performed, each group received a big hand and cheering echoing through the halls of the shopping mall.

DeltaCappella caught the audience in the MetroCity Mall in Shanghai.

DeltaCappella caught the audience in the MetroCity Mall in Shanghai.

The final performance was by DeltaCappella, the VAF’s special guests from Memphis. It was their first performance on this Shanghai trip and they were obviously a little nervous how the Chinese audience would receive their music. But no need to worry. DeltaCappella was just amazing and the audience immediately fell for them.

Exhausted we headed back to our hotel for the Farewell Party, yes, it was already the last evening. Some technical constraints wouldn’t keep a party room full of a cappella lovers from singing. DeltaCappella, EXIT and a charming group of Vocal Asia staff and volunteers performed as well as the „walking jazz drum kit“ Kaichiro Kitamura and the amazing VP talent Fishball. You shouldn’t provide plastic cups at an a cappella party, if you don’t fancy Pitch Perfect’s Cup Song. It was great fun to mix up with Chinese, Taiwanese, Korean, Japanese, American, Singapore and Hongkong people at a round table and just start to sing and do the cup percussion.

Watch the snapshot recording by Roger Thomas from Naturally 7.

Vocal Asia Festival 2015 – Impressions of Day 3

17. September 2015 1 Kommentar

Every moment is just so special – Juliana’s first-hand impressions of the Vocal Asia Festival 2015

by Juliana Baron, Vocal Blog Asia, September 2015

And here comes part 3 of my first-hand impressions on last month’s Vocal Asia Festival (VAF) in Shanghai:

Day 3: His soul was reaching directly to my heart

Friday morning (Aug 7) „Aca Papa“ Ray Chu  from Taiwan gave us a fun warm-up session including some body percussion and tai chi exercise.

Then, it was time to learn about the secret how to become an instrument. In their second workshop „How to do your vocal play“  Naturally 7 taught different techniques to imitate drums, harmonica or even DJ scratching sounds. The participants could try their vocal play together with N7. Hilarious was the performance of „DJ scratcher“ Rod Eldridge from N7 together with “Fishball”, the talented VP of the Taiwanese group Mixter.

Rod Eldridge from N7 (USA) and Fishball from Mixter (Taiwan) having a funny vocal play duet.

Garfield Buckley from N7 teaching his harmonica sound.

Garfield Buckley from N7 teaching his harmonica sound.

Deke Sharon coaching The Wanted (Taiwan).

Deke Sharon coaching The Wanted (Taiwan).

In the afternoon, again a lot of workshops in parallel, some groups received professional coaching from  Naturally 7 or  Deke Sharon. Deke also gave some deeper insight of how to produce a cappella for major media in his workshop „Behind the Scene: Aca in media“. And Ray Chu, the pop and artistic director of the Taiwan Choral Music Center, together with Christine Liu (musical director of Voco Novo) talked about how the western sound of a cappella meets the eastern image of poems in their workshop „Poetic A Cappella“.

I had a talk with Ray on how A Cappella developed in Taiwan.

Interview with „Aca Papa“ Ray Chu from Taiwan

Ray Chu demonstrating Tai Chi exercise in the warm up session.

Ray Chu demonstrating Tai Chi exercise in the warm up session.

Juliana: Ray Chu, you are the „Aca Papa“ of Taiwan or even Asia. Everyone who knows you simply loves you! What have you done, what is your secret…?

Ray: I love them too, that’s simple.

Juliana: (laugh) A Cappella in Taiwan is becoming more and more popular and Taiwanese a cappella groups are increasingly successful all around Asia. The Wanted, a Taiwanese group of six high school students, won the 2015 China Competition as well as the Asia Cup Competition a few days ago. How would you describe the development of a cappella in Taiwan?

Ray: In Taiwan, what we did is we invited a lot of European groups coming to Taiwan to have „tour concerts“. Every group who came had about 10 to 12 concerts all over Taiwan in different cities. We did that since 2005 until now, so it’s been many years by now. So, many cities, many places, many groups have seen good groups from Europe. So, they have opened their eyes and their ears. I think, that is the most important contribution to their improvement. They can hear a good sound, so they can imitate or have a good choice of repertoire. I think it is a very good method to let them learn. Actually, Taiwanese a cappella started really late, about 15 years later than Japan, Korea and also Singapore. But now, we catch up. I think, this is all thanks to the many international groups visiting us. And we have a lot of international events in Taiwan. I think, our competitions are the most significant competitions in whole Asia, because we invite all the champions and winners from all over the world to compete in Taiwan. So, our competitions become really high standard.

Juliana: Would you say that A Cappella in Taiwan is more developing and copying Western styles or do they develop their own style.

Ray: At the beginning it was more like Western styles. We learnt a lot from them. And then we were thinking, what do we have ourselves. So, what Christine (Liu) and I am doing, we are doing a lot of poem rearrangements in Taiwan that we use a lot of oriental or Chinese elements into rearrange or compose these poems and rearrange by foreigners like some Chinese arrangers like Christine. So we did a lot of oriental things now. And I think it is very successful. West and East, the combination of melody and western language, music language, pop language, jazz language… It is suitable, a very good combination.

Juliana: What is your impression about the Asia Cup winners „The Wanted“?

Ray: Well, of course, they are very good. But they are still high school or just graduated. I am waiting for them if they can still continue at college time. And they have to go through military service and all these things. So, looking at their future, of course … We will see.

Juliana: Deke Sharon said, they have the potential to become the Pentatonix of Asia.

Ray: Well, that must be after college, after military service. They have to be stable in life first. They are still students. I don’t want them to be professional in college time, they have to finish their studies. They have to grow up also mentally and they have to be mature before doing these things. This is better for them (laugh)

Juliana: I am really interested in your special method of teaching without scores, the chord singing. You are even teaching a choir of blind singers.

Ray: Yes, I do. Of course, they have to learn by listening. So, actually I use a software called Vocaloid, a singing voice synthesizer which can read out the lyrics, even the Chinese lyrics. So I can divide the parts for them with lyrics. So with this software it is easier now. But still,every time, every song that I use Vocaloid, I need 3 to 4 hours to finish all the individual parts for them to practice.

Juliana: How do you approach your choir of blind people? Is there anything special you have to prepare or consider?

Ray: Actually, I treat them like anybody else. That’s the right way. Don’t treat them like they are blind. Sometimes, I even say: „Look at that“ – They will say „you know I can’t see“ – „Oh, I’m sorry!“ (laugh). You know, just purposely treat them like ordinary people. That’s the way.

Juliana: I wish you great success in the future, continue your fantastic contribution to choir music and a cappella! We love you all! (laugh)

Ray: I love you all!

Just 4 hours before the VAF Concert and our opening performance, we had our second and last 90-minutes-class of Single Singers. Since last rehearsal we lost about 20 people, maybe they were too scared to perform. But we won Kaichiro Kitamura, a brilliant vocal percussionist from Japan, who would support us on stage. I forgot to mention that the two songs we were intending to sing were arrangements from DeltaCappella, the special guests from Memphis, Tennessee, and from Naturally 7, the master group of this festival.

I don’t know if the idea of singing „Easy“ in front of DeltaCappella and singing „Soldier Down“ in front of Naturally 7 was more exciting or more frightening, especially at that level of practice. Never ever have I been so ill-prepared before going on stage. But the rehearsal turned out to be my favorite moment of the day. None of us expected this big surprise: both groups DeltaCappella and Naturally 7 joined our last rehearsal, practiced and sang with us. Standing next to Garfield Buckley and singing my Solo of Soldier Down with him – it is hard to describe, but it felt just like his soul was reaching directly to my heart and without any words he was teaching me how to sing and feel this song. Vocal music is indeed strong and intimate. This was absolutely my moment of the day! Thank you, Garfield!


A snapshot of Single Singers’ rehearsal with Naturally 7.

The Single Singers' performance at the VAF Concert in the evening of day 3

The Single Singers’ performance at the VAF Concert in the evening of day 3

Vocal Asia Festival 2015 – Impressions of Day 2

15. September 2015 Keine Kommentare

Every moment is just so special – Juliana’s first-hand impressions of the Vocal Asia Festival 2015

by Juliana Baron, Vocal Blog Asia, September 2015

Last month, the Shanghai Mass Arts Center was hosting the 2015 Vocal Asia Festival (VAF) – here comes part 2 of my first-hand impressions:

Day 2: Aren’t we all a little crazy in this big ACA family?

Thursday (Aug 6) started with the A Cappella Summit Forum. Representatives from Korea, Japan, Taiwan, China, Singapore and Hongkong presented their status of A Cappella development.

l. to r.: Hea Il Kim, Sung-Mo Han, Ray Chu, Kaichiro Kitamura, Clare Chen, Deke Sharon, Angelina Choo-Sassarak, Peter Lane, Wuming Chen, Kwok-Tung Fung

l. to r.: Hea Il Kim, Sung-Mo Han, Ray Chu, Kaichiro Kitamura, Clare Chen, Deke Sharon, Angelina Choo-Sassarak, Peter Lane, Wuming Chen, Kwok-Tung Fung

Deke Sharon talked about his experience and the success of a growing popularity of a cappella in the US and in other regions of the world. Clare Chen, the president of Vocal Asia, shared her dream and mission of supporting a cappella in Asia, as well as linking and networking all over the world. Special guest was Peter Lane, president and CEO of the Walton Arts Center in Arkansas, who started last year with a professional a cappella festival called „VoiceJam“, hosted by Deke Sharon.

Main topic was sharing ideas of linking and connecting the different regions together, and finally come closer and exchange between the continents.


Sung-Mo Han (President of the Korea A Cappella Education Association) teaching singing in harmony without scores

Sung-Mo Han (President of the Korea A Cappella Education Association) teaching singing in harmony without scores

Finally, Vocal Asia’s educational consultant Sung-Mo Han presented a profound education concept for A Cappella and spontaneously demonstrated a method of teaching and singing without scores. The simplicity and effectiveness stunned even the pro’s amongst the audience.

After lunch, hurray, the workshop sessions started! The full program of the festival can be found on Vocal Asia. As there were always three lectures in parallel, you had to decide on your favorite topic which was by far not easy with all the good lecturers and interesting workshops. After joining the workshop „A Cappella arranging in 10 steps“ by Deke Sharon, which makes it sound so easy to arrange, I headed to the Single Singers’ first rehearsal.

The Single Singers’ first rehearsal with Christine Liu.

The Single Singers’ first rehearsal with Christine Liu.

Christine Liu, music director and alto of Voco Novo, brought the Single Singers’ concept from the London A Cappella Festival to VAF. When she entered the rehearsal place, she seemed to be shocked and overwhelmed at the same time. We were supposed to sing in a group of 20 people who applied for the workshop in advance. But Christine was facing about 50 excited and curious single singers. Well, the shocking part about it was how to balance the voices and how to make all of us ready to perform on the VAF Concert the next day. First half of our rehearsal, we needed to organize enough copies of the scores, split into the different voice parts, discuss whether to transpose both of the songs and of course, get to know each other. Christine having a hard time to get the excited chattering and giggling noise down. Our first trial was horrifying, but we all loved Christine for smiling at us, being so positive and motivating. „Will you have some time tonight to practice before our last rehearsal tomorrow?“ I think we were all crazy deciding to go for 2 songs, but aren’t we all a little crazy in this big ACA family?

The workshop „Urbanized A Cappella“ with Naturally 7

The workshop „Urbanized A Cappella“ with Naturally 7

Highlight of day 2 for sure was my Interview with Naturally 7 for the Vocal Blog. You can get an idea of  how outstanding these 7 artists are. You will definitely fall for them when you hear them live, but not only when they are performing, also behind the scenes, they are just so down-to-earth and warm-hearted personalities – you can’t help but fall in love with them.

In the last workshop session of this day „Urbanized A Cappella“ the Naturally 7 members talked about their background and gave some examples of their musical journey. Unfortunately, half of the participants – and so did I – had to leave in the middle of the workshop to hurry to the first ACA Day concert in another location.

Vocal Asia Festival 2015 – Impressions of Day 1

13. September 2015 Keine Kommentare

Every moment is just so special – Juliana’s first-hand impressions of the Vocal Asia Festival 2015

by Juliana Baron, Vocal Blog Asia, September 2015

Last month, the Shanghai Mass Arts Center was hosting the 2015 Vocal Asia Festival (VAF) as well as the 2nd Asian Cup A Cappella Competition. It was an amazing festival and I still try to figure out which of the many great moments have been my favorites? Although, already several weeks passed, I would like to share with you some in-sight impressions and several very interesting talks on Asian A Cappella – here comes part 1:

Day 1: It’s not all about winning.

On Wednesday (Aug 5) the festival started with the 2nd Asia Cup A Cappella Competition. Awesome groups from whole Asia (Taiwan, Korea, China, Singapore, Japan, Hongkong) were performing. As Deke Sharon (member of the Jury) said, it is unbelievable how much the Asian groups improved over the last few years. Refreshing young groups, powerful voices, a lot of up-tempo pop songs and, just a few, but beautiful arrangements of local songs from their respective country. „The Present“ for instance, performed a charming version of the Korean folk song Arirang. Absolutely mind-blowing was the youngest group, high school students from Taiwan: 尋人啟事人聲樂團 The Wanted. They took the audience on a journey through up and down emotions, making us clap along with Pharrell’s „Happy“, filling tears in our eyes with „Maybe tomorrow“ a Taiwanese song with a breath taking solo by Fangchi Hyun and blowing the audience away with a powerful and precise Get Lucky of Daft Punk. Special guest and last performance before the judges were announcing the results of the contest was EXIT from Korea, winners of the first Asia Cup Competition in 2012. During the break, I had the chance to do a short interview on their musical journey since their success 3 years ago (see below).

The Wanted at the award ceremony.

The Wanted at the award ceremony.

„And the winner is…“ – The international jury consisting of Deke Sharon, Guangxian Chen, Kaichiro Kitamura, Roger Thomas and Ray Chu, was very clear about the first price – well-deserved, going to The Wanted from Taiwan. Second, The Present from Korea and third, the City Singers from China. But the judges also awarded a special price, a special price for living the „spirit of a cappella“. Because it is not all about winning, it is about going on stage, singing with all your soul and heart, bringing joy to the audience and enjoying and having fun with your group – and sometimes to stand-in for a team member. A few hours before leaving for the competition, a member of Singapore’s group NANU stepped out. Rather than resigning from the competition, NANU decided to sing with the remaining members and shared their joy of singing with the audience. For me, this was indeed the spirit of the whole festival and the jury’s special price relieved the tension, somehow the atmosphere changed from „who is best?“ to „let’s sing together, let’s make friends and let’s exchange our experience and learn from each other“. So, the special price for NANU became my greatest moment of Day 1.

Interview with EXIT 엑시트 from Korea (the interview was done in Korean language)

(left to right) Chan-Han Park, Jin-Hyuk Kim, Juliana, Young-June Kim, Seul-Ki Lee, Min-Wook Kim

(left to right) Chan-Han Park, Jin-Hyuk Kim, Juliana, Young-June Kim, Seul-Ki Lee, Min-Wook Kim

Juliana: In 2012, you won the first Asia Cup A Cappella Competition. Since then, how did your life change?

Young-June: It seems it became more difficult (laugh).

Jin-Hyuk: Well, it didn’t change that much. It’s just that we could start to work and tour in the Greater China region, like Hongkong, Taiwan, China, ah and also Japan. Before, nobody knew us in those countries. Vocal Asia really helped us.

Juliana: So, how often are you going abroad for concerts? How much are you on tour?

Young-June: Well, most of our concerts are in Korea, about twice or at most three times a year we are touring abroad. But once, we are going to foreign countries for concerts, of course, we are doing a lot at a time.

Juliana: Can you live from singing and touring? Is Exit your full-time job?

Seul-Ki: Yes, it is our full-time job.

Juliana: In Korea success and high reputation is so important in all areas of life. Do you think, it is also necessary to win a competition as an a cappella group to have the chance to gain popularity and be successful?

Young-June: I would rather say, although having won a competition, most of the groups have to really work extremely hard for their success. I would say, there is no relationship whatsoever between winning a competition and being successful. There are professional groups who never took part at a competition and still are very successful, there are other groups having won competitions, but struggling and working really hard to gain some popularity. So, you cannot rely on being successful after winning a competition.

Juliana: In Korea and in whole Asia K-Pop (Korean pop music) is very popular. Does it help or does it make your life more difficult?

Jin-Hyuk: It helps.

Seul-Ki: Yes, it definitely helps.

Jin-Hyuk: When we go to countries like Hongkong, China, anywhere were the Hallyu wave is strong (Hallyu stands for the increase in the popularity of South Korean culture since the late 1990s) and if we prepare K-Pop repertoire we feel even more close and the audience loves it.

Juliana: Did you watch Zenith’s performance at this year – through the Youtube-live-broadcast?

Jin-Hyuk: Yes, we did.

Juliana: How was your feeling watching your fellow Korean a cappella group performing overseas?

Seul-Ki: Of course you feel with your fellow Koreans going this far of a journey to compete in Europe. Big congratulations! And my full respect, they had to cover the whole costs by themselves, for sure not an easy thing. The more I am happy, that they could return with this wonderful result.

Juliana: For the participating teams at this year’s Asia Cup Competition, what do you recommend them for their future career?

Seul-Ki: Fighting! (laugh)

Chan-Han: And have fun! Enjoy!

Juliana: Thank you, for this interview! Looking forward to your performance tonight!

EXIT Music Video: Beautiful